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Lawrence Hott and Diane Garey, Producers. Birdnesters of Thailand aka "Shadow Hunters". Eric Valli and Alain Majani, Producers.

The Mark of the Maker. Letters from American Soldiers. Joe Hutshing, Pietro Scalia. Raise the Red Lantern. Stan Winston, Jeff Dawn. Winner Beauty and the Beast.

Beauty and the Beast. Kitman Ho and Oliver Stone, Producers. Barbra Streisand and Andrew Karsch, Producers. Seth Winston, Rob Fried.

Stephen Kessler, Thomas R. Last Breeze of Summer. Tom Fleischman, Christopher Newman. Gary Rydstrom, Gloria S. Gary Rydstrom, Richard Hymns.

George Watters II, F. Fannie Flagg, Carol Sobieski. Oliver Stone, Zachary Sklar. Pat Conroy, Becky Johnston. Writing Screenplay Written Directly for the Screen.

Lawrence Kasdan, Meg Kasdan. Costume Design - Ruth Myers. Roman Holiday Second Chorus. Fellini Satyricon Hands Over the City.

The Pawnbroker The Greek Tycoon. The Little Mermaid Beauty and the Beast. Predator Harry and the Hendersons. Anastasia The Snake Pit.

Lawrence of Arabia Doctor Zhivago. Dirty Harry The Shootist. The Searchers The Alamo. The Cardinal La Cieca di Sorrento. The Man with a Cloak Jigsaw.

Captain Sindbad The Eiger Sanction. The Unsuspected Blue Skies. Smith Goes to Washington Shane. Three Steps North The Intruder.

The Lawnmower Man Maximum Overdrive. Days of Wine and Roses Anatomy of a Murder. Beneath the Planet of the Apes Marooned. The Traffic Policeman Difficult Years.

Invitation to a Gunfighter Al Capone. Educating Father Sing and Be Happy. It Happened One Night Mr. Smith Goes To Washington. Midnight Express Chariots of Fire.

The Shoes of the Fisherman. Saturday Night Fever Moonstruck. Blackboard Jungle Attack of the Puppet People. Freaks Mad Max Beyond Thunderdome.

Preppies Hollywood Hot Tubs. County Fair The Stratton Story. The Aristocats Robin Hood. Cotton Comes to Harlem Harlem Nights.

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The Wind and the Lion Demon Seed. Ski Party An Affair to Remember. Vanity Fair Souls For Sale. The Europeans A Passage to India.

By early , Katzenberg had approved the revised script, and storyboarding began again. Production of Beauty and the Beast was to be completed on a compressed timeline of two years rather than the traditional four-year Disney Feature Animation production schedule; this was due to the loss of production time spent developing the earlier Purdum version of the film.

The final dance between Belle and the Prince was reused from the final dance sequence between Princess Aurora and Prince Phillip from the film Sleeping Beauty.

According to Trousdale, this was done because production of the film was nearing the deadline, and this was the easiest way to do that sequence.

Ashman and Menken wrote the Beauty song score during the pre-production process in Fishkill, the opening operetta -styled " Belle " being their first composition for the film.

During the course of production, many changes were made to the structure of the film, necessitating the replacement and re-purposing of songs.

After screening a mostly animated version of the "Be Our Guest" sequence, story artist Bruce Woodside suggested that the objects should be singing the song to Belle rather than her father.

Wise and Trousdale agreed, and the sequence and song were retooled to replace Maurice with Belle. Originally conceived as a rock-oriented song, it was changed to a slow, romantic ballad.

Howard Ashman and Alan Menken asked Angela Lansbury to perform the song, but she did not think her voice was suited for the melody.

When she voiced her doubts, Menken and Ashman asked her for at least one take and told her to perform the song as she saw fit. Lansbury reportedly reduced everyone in the studio to tears with her rendition, nailing the song in the one take asked of her.

This version went on to win the Oscar for Best Original Song. He never saw the finished film, though he did get to see it in its unfinished format.

We will be forever grateful. The song peaked at number three on the Billboard Hot Adult Contemporary chart. In Canada, "Beauty and the Beast" peaked at number two.

The song sold over a million copies worldwide. At the end of the screening, Beauty and the Beast received a ten-minute-long standing ovation from the film festival audience.

A sing along edition of the film, hosted by Jordin Sparks , was released in select theaters on September 29 and October 2, Prior to the showing of the film, Sparks showed an exclusive behind-the-scenes look at the newly restored film and the making of her new Beauty and the Beast music video.

There was also commentary from producer Don Hahn, interviews with the cast and an inside look at how the animation was created. A Disney Digital 3D version of the film, the second of a traditionally animated film, was originally scheduled to be released in US theatres on February 12, , but the project was postponed.

No such edit was made to later reissues of the film. The "work-in-progress" version screened at the New York Film Festival was also released on VHS and LaserDisc at this time; [10] however, said version was the only one available on the latter format until the fall of , when the completed theatrical version was released.

This measure was to diminish the threat of video pirates making copies derived from the LaserDisc which are not copy-protected and selling them in international markets, where the film was yet to be available for home release.

The DVD set features three versions of the film: This release went to " Disney Vault " moratorium status in January , along with its direct-to-video follow-ups Beauty and the Beast: The 3D combo pack is identical to the original Diamond Edition, except for the added 3D disc and digital copy.

The Blu-ray release went into the Disney Vault along with the two sequels on April 30, Out of the Shadows and Captain America: Janet Maslin of The New York Times praised the film with the following statement, "Two years ago, Walt Disney Pictures reinvented the animated feature, not only with an eye toward pleasing children, but also with an older, savvier audience in mind.

Disney truly bridged a generation gap with The Little Mermaid … Now, lightning has definitely struck twice with Beauty and the Beast.

Animation historian Michael Barrier wrote that Belle "becomes a sort of intellectual less by actually reading books, it seems, than by hanging out with them", but says that the film comes closer than other "Disney-studio" films to "accepting challenges of the kind that the finest Walt Disney features met".

Several critics regard the animated film as superior to the live-action remake. Michael Phillips of the Chicago Tribune said that the film "worked wonderfully because it was pure Broadway, written for the screen, blending comedy and romance and magic and just enough snark in the margins", while the remake got lost in translation since "The movie takes our knowledge and our interest in the material for granted.

It zips from one number to another, throwing a ton of frenetically edited eye candy at the screen, charmlessly. Judgment Day and Robin Hood: The film was also nominated for Best Picture and Best Sound.

In , Beauty and the Beast was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant.

Beauty and the Beast was acknowledged as the seventh-best film in the animation genre. American Film Institute recognition: Nothing happened till the Disney execs started to pursue the project from their end … When they asked George Ives, the head of Actors Equity on the West Coast, which Los Angeles theater would be the best venue for launching a new musical, Ives said the best theater for that purpose would be TUTS.

Potts, and Stacey Logan as Babette the feather duster. In June , Walt Disney Pictures announced that a live-action film adaptation of the original film was in the works, with Bill Condon directing and Evan Spiliotopoulos writing the script.

Potts, Lefou, Garderobe, and Maurice, respectively. The show was such a huge commercial and critical success, touring around the world to sell-out crowds, that a television special was made when it toured Spain in The first video game based on the film was titled Beauty and the Beast: Developed by Software Creations , the game was released in North America in Roar of the Beast.

Characters from the film like Gaston can help the player past tricky situations. To succeed, she must explore the village, forest, castle, and snowy forest to solve puzzles and mini-games while ducking or jumping over enemies.

Extra lives, keys and other items are hidden throughout the levels. While there is no continue or game saving ability, players can use a code to start the game at any of the seven levels.

Roar of the Beast and is a side-scrolling video game for the Genesis. As the Beast, the player must successfully complete several levels, based on scenes from the film, in order to protect the castle from invading villagers and forest animals and rescue Belle from Gaston.

The third and fourth video games based on the film are action platformers developed by Probe Software [] and published by Hudson Soft. The entire games are played through the perspective of the Beast.

As the Beast, the player must get Belle to fall in love so that the curse cast upon him and his castle will be broken. The final boss of the game is Gaston.

It was released on October 25, Potts, Chip, Maurice, and the Wardrobe. After Gaston is defeated, the Beast transforms back into the Prince.

From Wikipedia, the free encyclopedia. Beauty and the Beast Theatrical release poster by John Alvin [1]. Gary Trousdale Kirk Wise. Beauty and the Beast soundtrack.

Beauty and the Beast musical. Beauty and the Beast film. Archived from the original on March 14, Retrieved February 10, Retrieved March 28, Retrieved April 3, British Board of Film Classification.

Retrieved September 28, The Young Misses Magazine 4 ed. Dining and Entertainment section: Archived from the original on July 8, Retrieved February 2, Retrieved May 9, Retrieved October 27, DVD audio commentary for Beauty and the Beast:

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